Classic melodic rock CD of the week

By Stephen Kasenda



MR. BIG “Lean Into It” (1991)



What makes this record personally memorable to me is that this is the first rock tape I bought along with Scorpions' "Crazy World" back in 1992. I bought it solely because of the mega-hit "To Be With You" that had been heavily played on TV and radio. My first impression is that I'm quite shocked to listen to tracks like "Daddy Brother" or "Alive And Kickin'" - very loud and noisy! There's something great about this album that makes me want to play that tape over and over again until it’s worn out. I was twelve back then and here I am playing this disc again 20 years later in my car this morning, and it's still as great as ever as it was in 1992.



"Daddy, Brother, Lover, Little Boy" is an explosive opening with Paul Gilbert ripping his guitars with an electric drill, the technique he had started using back in his days with Racer X (which was also later applied by Eddie Van Halen in “Poundcake”). "Alive And Kickin" has a punchy chorus and Eric Martin sounds awesome here, one of my fave singers with many capabilities. The commercial hard rock of "Green Tinted Sixties Mind" blasts in with the quick-tapping that young guitarists always want to learn to play. "Lucky This Time" is a blissful midtempo ballad, a great track on par with the other hits, "Just Take My Heart" and "To Be With You". Those last two are timeless classics, songs that I still like to strum on my acoustic in the living room.



The other tracks are also very strong, such as "Voodoo Kiss" with an infectious guitar lick and that 70s Aerosmith boogie; "My Kinda Woman" is a song that Tesla should have recorded in 1987; the lazy bluesy "A Little Too Loose"; and the groovy "Road To Ruin". Perhaps only "Never Say Never" is the weakest but that track alone still good enough to compete with the other average band's strongest track.



Putting aside the priceless nostalgic value, "Lean Into It" definitely has the power to stand the test of time and to claim the status of best album Mr. Big ever made. The virtuosity of each member is undefeatable, the songwriting is top notch, every little thing about this album is perfect. A true five stars!



Read more of Stephen’s features at MetalMusicArchives.

The Best Albums You Never Heard

By Kurt Torster

Eric Martin “I’m Only Fooling Myself” (1987)

Sometimes “best” depends on what you’re in to. If you’re tastes run to the eclectic or different, than this album is not for you. But, if you’re like me and can appreciate a finely performed pop song as much as you can a Led Zeppelin blues jam then this over-produced slab of confection (and that’s meant with nothing but affection) is for you.

The transition from the mid to late 80s were an interesting time in pop music. Punchy new wave guitars were being pushed aside for as much keyboards as you could fit into a 3 minutes song. Suddenly every song on the charts sounded like it came straight out of a movie.

Eric Martin released a rather spunky hard rocker a few years earlier to little success. Trying a different approach on this second outing by surrounding himself with some of the best studio musicians and songwriters in the business, the result is a superior vocalist singing the crap out of simple almost danceable tunes and elevating them far above where they ended up.

Kicking off with the “how it never was a hit single is beyond me” track in “These Are The Good Times” (which also featured on the Iron Eagle soundtrack), things find a a comfortable groove and never stray far. From the beautiful soul of “Everytime I Think Of You” the infectious swing of the title track to the outright arena rock of “Crazy World Like This” the whole affair brings to mind Steve Perry’s “Street Talk,” Phil Collins affliction for horns and the best of Hall & Oates white boy soul. There’s really not a song here that, with just the right push, couldn’t have been pulled aside and made into a hit.





Obviously, Eric Martin would go on to much bigger things as the lead singer for Mr. Big and most of these songs would go on to be covered by other artists.