CD Review: Paul Rodgers & Friends - Live at Montreux 1994

CD Review: Paul Rodgers & Friends - Live at Montreux 1994
Eagle Records
All Access Review:  A-

In 1993, Paul Rodgers was a free man. The Firm had dissolved, the legendary front man was above and beyond The Law, Bad Company had become a distant, but still treasured, memory and the revered Free was long gone. Left with nothing to do, the singer with the brawny, torn-and-frayed pipes and expressive, denim-clad delivery looked again to the blues, his one true love, for inspiration. He found it in the music of Muddy Waters.

Keen to pay homage to the great man, Rodgers didn’t break character. Muddy Water Blues: A Tribute to Muddy Waters may have contained the spark of the Chicago-style electric blues that Waters once perfected, but it was powered by the blues-rock combustion of Rodgers’ work with Bad Company and Free. Not all of the tracks on Muddy Water Blues, the second of Rodgers’ solo albums, were Waters covers, but his spirit haunts the record, inhabiting its grooves and inspiring Rodgers and his collaborators. In 1994, a year after Muddy Water Blues’ arrival, Rodgers brought much of that record to life in a blustery, sweaty concert at Montreux, where he was joined onstage by the likes of Journey guitarist Neal Schon, drummer Jason Bonham, guitarist Ian Hatton and bassist John Smithson, as well as several guests, including Queen’s Brian May, Toto’s Steve Lukather and blues veterans Luther Allison, Eddie Kirkland, Sherman Robertson, Robert Lucas and Kenny Neal.

Though a star-studded affair, Live at Montreux 1994 has more of a blue-collar feel. This is a workingman’s record, with dirt under its fingernails and calluses on its hands. Sprinkled with plenty of songs that Rodgers made famous with Free and Bad Company, Live at Montreux 1994 also finds Rodgers digging his hands into the earthy soil of blues classics like Waters’ “Louisiana Blues,” which simmers with menace and pure nastiness on the stove here, letting all the rich flavors – including a particularly tasty guitar solo – sink into its meaty textures. In a surprising turn, May gets down and dirty on the Sonny Boy Williamson number “Good Morning Little School Girl,” his distorted guitar becoming a careening crop duster that dives and climbs with all the daring of pilot with a death wish. The highlight of a sensational set, “Good Morning Little School Girl” is simply mean, burning with intensity and passionate playing. To finish off the night, Rodger and crew slam into Robert Johnson’s “Crossroads” and the closer, “Hoochie Coochie Man” by Willie Dixon, with all the force of a hurricane. The guitars sound like switchblades on and cut deeply with every note on “Crossroads,” as the rhythm section works up a mean, mean thirst crawling through the gutter on “Hoochie Coochie Man.”

Three of the songs Dixon wrote for Waters, including 1954’s “Hoochie Coochie Man” and “I’m Ready” and 1961’s “Let Me Love You Baby,” are included here and performed with all the righteous fervor of a tent revival ministry, as is Booker T. & the MGs’ “The Hunter.” Just as propulsive and muscular are the Rodgers’ classics “All Right Now,” the old Free hit, and rust-covered Bad Company diamonds “Can’t Get Enough (of Your Love)” and “Feel Like Making Love.” Ever the professional, Rodgers’ nuanced vocals add richness and depth to each track, while his handpicked group of hired guns plays the daylights out of this material almost all the way through, with the exception of the rare uninspired moment. The recording quality is pretty sound and world-class music writer Malcolm Dome does the show justice with well-written, informative liner notes. All of this makes you wonder if, or when, Rodgers will delve even deeper into the blues down the road.

- Peter Lindblad

Purchase CD: Artist Link 

Collectible Vintage Posters:

Bad Company
Queen

Review: Nelson “Lightning Strikes Twice”

September, 1990. The Cold War officially ends, Bush is about to put Iraq in its place, “Ditto” becomes the response to everyone’s “I love you”, and Nelson’s shimmering song, "(Can't Live Without Your) Love and Affection", from their smash hit album “After The Rain”, was at the top of the Billboard music charts. Now, twenty years later, twins Matthew and Gunnar Nelson are back on the radar, hoping to create another storm with their Frontiers debut, “Lightning Strikes Twice”.

Nelson was by no means a “one-hit wonder” – three other very successful singles from their triple-platinum debut were all over MTV and radio throughout 1990 and 1991. Their follow-up record, 1995’s “Because They Can” was a solid effort, but the Seattle grunge bands had already ushered in a new era. “Because They Can” didn’t stand a chance and the Nelson brothers went into a tailspin and identity crisis, dabbling in darker concept albums (“Imaginator”), country fried rock (“Brother Harmony”), and even covering their famous father’s tunes from the Golden Era of Rock N Roll (“Like Father, Like Sons”).

Thankfully, despite two decades of waiting, Nelson have gone back to their AOR roots and crafted a record that any fan of “After The Rain” is going to love unconditionally. If giving the fans of your first record what they want is the barometer of success, “Lightning Strikes Twice” is a remarkable achievement. Any fan of music should stand in admiration of the magical harmonies Matthew and Gunnar produce, but this time out the twins put that talent to good use in songs that are just dripping with sugary melodies. The song structures resemble everything fans of AOR – past and present – could possibly want. As soon as you hear the ringing guitars and their trademark “whoa-oh oh oh” harmonies on the opener “Call Me”, you know Nelson is going to deliver on their promise. Their first music video in 15 years was filmed to “You’re All I Need Tonight” (see it below), a slice of pure AOR heaven. For you ballad lovers, there is an epic one that would make even Bon Jovi weak in the knees called “To Get Back To You”, which also features AOR master Steve Lukather (Toto) on guitar. The highlights keep coming with superb cuts like “When You’re Gone”, “Take Me There”, and “Change A Thing”.

As the third generation of Nelsons to have #1 hits, the boys do the family proud with this sensational comeback album. 1990 would have been as good to this record as it was to “After The Rain” – maybe even better. Perhaps the winds of musical change will blow once again at the backs of the Nelson twins. As they sang in 1990, “Only time will tell…”

More good news for Nelson fanatics…Frontiers Records will release two more Nelson albums to in Europe on December 3rd: “Before the Rain”, the demo collection of songs that secured their recording deal with Geffen Records in 1990, and “Perfect Storm – After the Rain World Tour 1991”,a live concert album. A North American release will follow in February 2011, as a complement to the release of “Lightning Strikes Twice”.

iPOD-worthy: 1, 2, 5, 6, 7, 8, 11

Nelson on MySpace. Official site. New “kick ass” website.

Check out the video for “You’re All I Need Tonight”