Review: Car Party “High and Low Places” [EP]

Modern rock
The Baltimore-based pop-tinged alternative rock quartet, Car Party, has released their sophomore EP “High & Low Places.” The band was formed in 2009 through a CraigsList ad posted by female drummer, Taylor Hughes. Joining Taylor is vocalist Michael Matzke, guitarist Jim Luparello, and bassist Chris Martin. The new EP was produced and engineered by Ace Enders of the modern rock band, The Early November.

“Please Me” is the new single and you can check out the video below. Within a week of Substream's video premiere of this video, Car Party skyrocketed to #2 on PureVolume.com. “Please Me” is a slick and tight slice of modern rock straddling a sound that fall in-between Fall Out Boy and Jimmy Eat World. The other three songs on the EP follow suit, with “Dear Son” having the greatest impact after “Please Me”. Lyrically astute, “Dear Son” should resonate with listeners of all ages. “Forever Family” features a very impassioned vocal by Matzke, perfectly placed subtle backing vocals, and a gang chorus preceding the coda. The EP closes by showing a softer side to the band with the ballad “Anniversary”. One of the key things the band has going for them is chemistry – every member gets an opportunity to shine and the songs are written in a way that allows Matzke to showcase his vocal talents. One area that could use a little polishing: the band needs to focus on crafting more captivating hooks in the chorus of every song.

Catchy enough to satisfy most fans of pop rock, the songs on “High and Low Places” also boast contemporary production that will pull in modern rock fans as well. This EP suggests a band with great potential – with some sharper hooks, they will reach the high places for sure. Check out Car Party if you like Fall Out Boy, Panic At The Disco, or Jimmy Eat World.

Car Party – Facebook

CAR PARTY | Please Me | {el.de.te} from {el.de.te} on Vimeo.

Review: Ross and the Wrongens “Life In The Loos” [EP]

Pop rock
Headed by Ross Wrongen, he and his companions formed a band in 2009 that relied on a strong work ethic to deliver songs that echo the entire history of pop – from Sinatra to The Sex Pistols. The four tunes appearing on their EP, “Life In The Loos” embody the spirit of the Golden Age of AM radio. The band is raising eyebrows already, as evidenced by two of their songs (“That Magic Feeling” and “Summer Sun”) being nominated for best pop song at the Exposure Music Awards, an organization dedicated to promoting the best new bands in the UK.

Lead off track “That Magic Feeling” is terrific – a wonderful radio-ready gem bursting with sunshine and memorable melodies. The chorus is catchy enough as is, but the added backing harmony vocals make it truly irresistible. This is followed by another song heavily influenced by The Byrds and The Hollies called “Through With U (Ballad Of An Alcoholic)”. “Reason 2 Live” is another hook-laden feel good track, while “Summer Sun” ends the EP on a high note. The organ in this track is spectacular, rivaling the work found in many songs by Boston.

This excellent EP suggests that Ross and the Wrongens are a band that rejoices the jovial spirit of traditional pop rock, but don’t let their carefree disposition fool you – they take their songwriting most seriously. If there is only one thing I’d change about the band…lose the Prince abbreviations in your song titles!

Ross and the Wrongens – Official site.

Review: The Bangles “Sweetheart of The Sun”

Pop rock
I feel compelled to set the record straight here. Too many people have been gushing about how great this new record from The Bangles is that I just have to chime in. I’ve been a fan of these girls for 30 years on, but to give “Sweetheart of The Sun” anything more than 2 stars is being overly generous. Yes, it is still a sublime experience to hear those trademark harmonies, but even those magical moments can’t pull this lackluster batch of songs out of the bin of mediocrity.

“Anna Lee (Sweetheart of the Sun)” is an okay start to the album – the song didn’t blow me away by any means, but it wasn’t a chore to get through. I grew optimistic after hearing the next cut, the very good “Under A Cloud”. Also ear pleasing is the gentle midtempo ballad, “I’ll Never Be Through With You”. After the decent “Mesmerized”, the record just fizzles into a great ball of hook free blandness. Not helping is the notable lack of Susanna Hoffs tunes – despite the years instilling a bit of a rasp in her voice, hers is still the sweetest and it isn’t heard enough.

On this outing, the Bangles lost an original member (Michael Steele) but gained Matthew Sweet. Sweet has been collaborating with Hoffs for years now, with the two of them producing a couple well received records of 70s cover tunes. The love for that music often spills into “Sweetheart of the Sun”, but just doesn’t fill the cup. Vocally, the Bangles aren’t missing a note, but the production is flaccid and songs too uninteresting to write home about. Instead, go check out 2003’s comeback record “Doll Revolution”.

iPOD-worthy: 2, 4, 5

The Bangles – Facebook.

Check out “I’ll Never Be Through With You”

Review: Ex Norwegian “Sketch”

Indie rock
Following their 2009 debut, “Standby”, “Sketch” aims to propel indie rock band Ex Norwegian to greater heights. “Standby” helped the band attain national exposure with appearances on TV and radio shows, in addition to being critically acclaimed. “Sketch” delivers ten more doses of their brand of fanciful and sonically surprising rock.

A thumping bass line draws us in to climb aboard the ride that is “Jet Lag”, a slow burning tune that creeps up to a sticky chorus that gets better with each flight through your ears (video below). “Jet Lag” finds Ex Norwegian sounding very much like a highly evolved version of Weezer. “Smashing Time” lends support to this comparison with its groovy verses and hook laden chorus. Other highlights include the near Lennon-esque “Seconds” and the rumbling “Turn Left”. There are a handful of fillers, like the quirky “You’re Elastic Over Me” and “Girl With A Moustache”, but overall “Sketch” is well fleshed out.

Taking advantage of both their male and female vocal strengths, the band often incorporates delightful harmonies making them sound like the Mamas and Papas of the modern indie rock scene. With an effective mix of clever lyrics, tasty licks, and groovy rhythms, Ex Norwegian is one of the more commercial-ready indie bands I’ve heard this year.

iPOD-worthy: 1, 2, 3, 6, 8

Ex Norwegian – Official site.

Check out the video for “Jet Lag”:

Review: Mitch Malloy “II”

Melodic rock
Mitch Malloy is one of the unsung heroes in the melodic rock world, quickly rising to fame in the early 90s with his tasty hit “Anything At All”. A change in musical tides through the 90s found Malloy experimenting with a markedly more adult contemporary sound before returning to the rock area with 2000’s excellent comeback record, “Shine”. Fans parched for a new Mitch Malloy CD finally get to quench their thirst with his new release, simply entitled “II” to denote that this one is a sonic sequel to his 1992 self-titled debut.

Coming along for the ride are some notable guests including Phil Collen (Def Leppard), Pete Lesperance (Harem Scarem), and Jeff Scott Soto – virtual Knights of the Melodic Rock Round Table. Malloy still sounds incredible and has worked in plenty of opportunities in these tunes where he can sustain a hair-raising note. His songwriting style definitely aligns with his work from his debut, straddling the fine line between light and hard rock – a la Bon Jovi or Nelson.

“I’m The One” is an opener that testifies to Malloy’s return to form, sizzling with 80s sounding guitar tones and an overall vibe that matches the upbeat ear candy of “Anything At All”. “Falling To Pieces” is a bit grittier but still plenty catchy with an affable sing-a-long chorus. While the title might imply a power ballad, “Love Song” is a driving rocker that sticks in the mind quick. “On and On” and “I Don’t Know How” both shine with winners of a chorus, sandwiched by verses that are easy on the ears. Just when you think the guy has run out of hooks and moving chord changes, out comes the chugging rocker “What I Miss”. Fans of classic Malloy ballads will enjoy “Carry On”, “Take It All”, and “As Long As I’m With You” – for me, “Take It All” wins the day in this department. The album closes with a love letter to his fans with the stirring “All My Friends”.

iPOD-worthy: 1, 2, 5, 6, 7, 8, 9, 12

Mitch Malloy - Official site.

Review: Crown Point “Wolves” [EP]

Pop rock
Hailing from Portland, Oregon, Crown Point is a collection of pop rockers with a very radio-ready sound. Their new six song EP, “Wolves”, showcases their knack for memorable melodies and affable lyrics. Formed in late 2009, the band features Jon Davidson (vocals/guitar), Russell Stafford (vocals/guitar), and Kaycee Kay (drums).

“Back To You” is a stunning opener that warms up to you quickly with its sunny disposition and hook filled chorus – an easy favorite. Featuring a darker atmosphere and crunchy guitar atop the acoustic base, the title track testifies that the band does not have an aversion to a grittier mood. Taking the pace down a bit, “Sound Of Your Voice” is a sweet confection with beautiful chord changes, highlighting their talent for balladry. “Easier Said Than Done” begins as another sparse tune, but the electric guitars creep in soon enough to give the song a satisfying edge. “Disappear” is another treasure – a gentle but engaging acoustic ballad to close an excellent EP.

Fans missing that 90s post-grunge pop rock a la Gin Blossoms, Counting Crows, and Toad the Wet Sprocket will find a friend in Crown Point. Looking forward to hearing more from these guys!

Crown Point – Official site.

Review: Simple Plan “Get Your Heart On”

Rock
It is hard to believe that the young pop punk band from Montreal has now entered their second decade as Simple Plan. Their last album (self-titled) threw their fans for a loop with its uneven batch of songs mixing their standard sound with some techno and other experimental soundscapes. However, their fourth album “Get Your Heart On!” marks a strong return to form that should reignite the fanbase that fell in love with them from the get go. Released back in June, word has slowly been spreading that Simple Plan is back doing what they do best: belting out catchy pop rock tunes that sing about lost love, alienation, and the uncertainty of youth.

While the band foregoes the aloof experimentation that plagued the last album, they still brought in some A-list stars to guest on the album. Some that you might expect – Rivers Cuomo (Weezer) and Alex Gaskarth (All Time Low) – and others you wouldn’t necessarily expect, like Natasha Bedingfield and K'naan. But whoever is guesting, the song retains the distinct Simple Plan sound. The band rushes to reassure the fans that they aim to please by delivering a monster of a signature Simple Plan tune in “You Suck At Love”. This is the kind of song that made the band famous, and its peppy rhythm and sing-a-long chorus makes it an early favorite. “Jet Lag” is another arena-ready rocker featuring some infectious harmonies with Bedingfield and a huge chorus (video below). “Loser Of The Year” and “Last Man Standing” are classic teen anthems in the making.

For those of you looking for another big ballad along the lines of their hit “Perfect”, you might want to check out “Astronaut” and “Gone Too Soon”. They don’t quite rise to the heights of “Perfect”, but make a solid attempt. In the end, I am very pleased the band went back to their comfort zone – “Get Your Heart On” is a fine addition to the Simple Plan catalogue.

iPOD-worthy: 1, 3, 5, 6, 9, 10

Simple Plan – Official site

Check out the video for “Jet Lag”

Review: Republic of Letters “Stories”

Rock
San Diegi based Republic of Letters is a modern rock band that sounds like a fusion of 80s new wave and post-grunge rock…kind of like Echo & The Bunnymen meet Dishwalla. It is an intriguing and enticing sound for the most part, but would sound even better if these guys could write hooks that were better defined. The song structures are compelling and the lyrics interesting, so the stage is set for some very promising atmospheric rock. But there is something missing…

The band was originally formed by the Venti brothers, with Chris on vocals and guitar and Nick on drums. Chris Venti has a voice that is going to draw mixed reviews. He clearly has power behind his pipes, but whether he has full command of this power is a debatable question. He transcends into vibrato at times that borders on Eddie Vedder having a bad day, and sadly it distracts from the warm bellow he projects. Venti’s tone is a good fit for this style of music, and he has some melodious moments, but they are too few and far between.

Fresh off the heels of this debut, “Stories”, the band continues to write prolifically, accumulating another album worth of material already. If the guys in Republic of Letters keep at it like this, odds are they will realize their full potential. Highlights from this record include “Lost Chord”, “Long Way Down”, and the title track. Check them out if you like Dashboard Confessional, Snow Patrol, or Black Lab.

iPOD-worthy: 1, 2, 4

Republic of Letters – Official site.

Review: The Magnificent “The Magnificent”

Melodic rock/AOR
Frontiers Records will release the self-titled debut album from Scandinavia’s The Magnificent on November 4th in Europe and November 1st in North America. The Magnificent is an alliance forged by Circus Maximus singer Michael Eriksen from Norway and Finnish producer/guitarist Torsti Spoof (of Leverage fame). The rest of the band includes Rolf Pilve on drums, Sami Norbacka on bass and Jukka Karinen on keyboards. Collectively, they bring a dazzling blend of melodic and prog rock that works better than most bands trying to mesh these genres together.

Regarding the project, Torsti Spoof had this to say: “A lot of my musical influences come from the 80`s and I always wanted to make an album in that spirit. Now the dream has come true! This one was truly a joyride…I think together we`ve made a perfect blend of the old school songwriting with a big up to date sound”.

The record is equally heavy with keyboards and guitars, recalling the “Out Of This World” days of Europe. However, there is a lot of bite in the riffs and contemporary songwriting more along the lines of Eclipse or Brother Firetribe. The vocals are nothing short of amazing. AOR fans are sure to love this one from start to finish, but I find the more melodic numbers most satisfying, especially “Memories”, “Angel”, “Love’s On The Line”, and “Lost”.

iPOD-worthy: 3, 4, 6, 11

The Magnificent – More info here.

Review: Wires In The Walls “New Symmetry”

Pop rock
While their name reminds me of something Dick Cheney would offer as a solution to national security, Wires In The Walls is an organic pop rock band based in L.A. Led by lead singer and guitarist Warren Sroka, the band will be releasing their full length debut, “New Symmetry” on October 25. This record follows a well-received EP from 2010 entitled, “Call Signs”, which earned the band some local and national college airplay.

A bit of their Americana roots trickles into songs like the acoustic ballad “Soft Shirt” and accordion laced “ysa”, but by in large the band – now a quintet – is cultivating a larger soundscape that includes elements associated with indie rock, pop, and even some post-punk. To be honest, many of the tunes on “New Symmetry” didn’t pique my interest at first, but there was enough staying power to warrant a second spin. And I am very glad I did that – these tunes need a little time to germinate, but once they do you’ll truly respect their beauty. I quickly found myself appreciating them more and more. Highlights include “Tremolo”, “The Land The Sea And Outerspace”, and the first single, “The Ringer”.

I’d recommend Wires In The Walls for Dick Cheney, as well as fans of Crowded House, Flickerstick, and Toad The Wet Sprocket.

iPOD-worthy: 1, 3, 4, 5, 8, 9

Wires In The Walls – Official site.

Check out a short preview here:


And a FREE tune here!

Review: Dan Miraldi “Rock N Roll Band” [EP]

Rock
Dan Miraldi has been in Cleveland-based bands such as Cherry Flavored Elevator and Exit Suburbia prior to his stint in the DC band, The Silver Liners. His musical style was forged by listening to Beatles and the Rolling Stones, and modern day acts such as the Format, White Stripes, and Green Day. We covered his debut 2010 EP, “Tease” (see here), which has done as well as we predicted. “Tease” and “Lucinda” received radio airplay from Boston to Cleveland, and our favorite track, “The Holy Roller Stone Revival”, became a finalist for the best rock song in the John Lennon Songwriting Competition.

Teaming once again with award-winning producer Jim McKell, and his live band the Albino Winos, Miraldi is back with his follow up EP, “Rock N Roll Band”. The 5 song record kicks off with a smoldering rocker in “We Both Know” – it is crunchy but slow, and the song didn’t excite me. Much better is the Jagger styled swagger of “You’ve Got To Hurry” – a perfect radio-friendly anthem with a bluesy vibe and solid melody – easily my favorite on the EP. The 60s retro rock sound continues in the Orbison-flavored “Mystical Queen”. The title track is propelled by handclaps and a 50s backbeat, sounding like a lost feel good track from “That Thing You Do!”. The amusing charm of “Give & Take” rounds things out with lines like “you only use my heart for karate” to become a song that Dion and the Belmonts would have been proud to perform.

Miraldi further whets the appetite for a full-length release with his new EP. His lyrics are whimsical fun, much like the retro beats that infiltrate the song structure he favors. Imagine if Bob Dylan and Elvis started a band together, then you’d have a pretty good idea as to what Dan Miraldi is all about.

Dan Miraldi – Official site.

Review: Bobby Kimball and Jimi Jamison “Kimball Jamison”

Melodic rock/AOR
The teaming up of Bobby Kimball (Toto) and Jimi Jamison (Survivor) promises to be one of the most discussed alliances in the AOR world. Their debut record, simply entitled “Kimball Jamison” comes out on Frontier Records October 18.

Fans expecting the classic 80s AOR sound epitomized by their home bands are going to be in for a surprise. The big melodic choruses and lyrical content have been conserved, but the music has been catapulted into the modern age. The guitars sound fresh and gritty, constituting some of the hardest edge rock either of these guys has ever been associated with in the past. In my opinion, the results are fantastic and give this project a unique identity to call its own, rather than a strict mash up of the styles of Toto and Survivor.

Of course we are dealing with two titans in the vocal arena – Kimball and Jamison sound absolutely amazing, and take turns at lyrical lines in nearly every song making it a true 50/50 split of talent. Even better, most of song were written to contain a few sweet spots where Kimball or Jamison can really hold that high note and shine. For this we can thank ace songwriters such as Richard Page (Mr Mister), Jim Peterik (Survivor), Randy Goodrum (Steve Perry, Toto), John Waite, Erik Martensson (W.E.T.) and Robert Sall (Work of Art).

The guys come out with both guns blazing on “Worth Fighting For”, where loud guitars enhanced by keyboards drive a thundering song that wonders about whether we found that special someone (a sequel to “Is This Love”, perhaps?). Followed by the aggressive “Can’t Wait For Love” (video below), we have a superb introduction to what Kimball Jamison is all about. This is the kind of song I bet Survivor fans were hoping for on their last album “Reach”. Fans of either singer should be smiling ear to ear by now, but there are more gems to follow. While each song has its moments, the ones that really stand out for me include the mid-tempo treat laced with great backing vocals, “I Did Everything Wrong”, “We Gotta Believe”, and the majestic power ballad “Find Another Way”. But perhaps the best here is the encouragement anthem “Get Back In The Game” – this splendid rocker should find a home on the “Rocky VII” soundtrack.

I hope this is not a one-off record. The chemistry between Kimball and Jamison, coupled with their instincts for potent melodies and their sheer vocal power, makes the pair an unbeatable melodic rock dream team.

iPOD-worthy: 1, 2, 5, 6, 7, 8, 10

Sites for: Bobby Kimball and Jimi Jamison

Check out the video “Can’t Wait For Love”

Review: 7 Months Later “Time To Decide”

Rock/Post punk
Cross Fall Out Boy with Green Day and you’ll get the Orlando based band 7 Months Later. The foursome has just released their new record, “Time To Decide”, which follows their 2009 debut EP, “By The Light”. The latest release contains eight songs that try to establish 7 Months Later as a unique outfit within the overcrowded post-punk genre.

Nothing is overtly wrong with anything, but nothing really stands out of the crowd either. But these guys are young (we can’t even call them 20-somethings yet!), so they have a lot going for them – they are making significant headway during this early stage of their career, so with some more experience I am confident that more remarkable songs will emerge. Some of the highlights to enjoy on “Time To Decide” include the driving opener, “Outlines”, where the lead vocals match Billy Joe Armstrong (Green Day) so precisely it nearly sounds like an imitation, and the engaging energy of “Faster Faster”. Songs like the acoustic ballad “All Out” showcase another side of the band that was refreshing to experience. Evolving from songs like these will surely equate to big success for this upstart band.

7 Months Later will appeal to fans of Reliant K, Jimmy Eat World, and Blink 182.

7 Months Later – Official site.

Review: Mike Tramp and Rock N Roll Circuz “Stand Your Ground”

Melocid rock/AOR
After recently launching a reunion record of sorts for his old band White Lion, Mike Tramp returns this year with a new solo effort with his backing band, The Rock N Roll Circuz. Comprised of Soren Andersen (guitar), Claus Langeskov (bass), Morten Hellborn (drums) and Emily Garriock (backing vocals, keyboard and percussion), the Rock N Roll Circuz complement Tramp’s songwriting style and vocals perfectly, delivering a sound that is sure to please old school fans as well as younger rockers.

Tramp’s previous solo efforts have typically been mixed affairs, but they have been steadily getting better with each release. I think “Stand Your Ground” may rank among his best yet. This record is filled with consistently awesome tunes that are bursting with memorable hooks and sing-a-long choruses. I didn’t expect it going in, but “Stand Your Ground” is easily in the running for best melodic rock record of the year. There are so many good songs to highlight, so don’t neglect certain tracks just because I didn’t mention them.

After a reasonable beginning with an arena-ready encouragement anthem, “Don’t Let Them Put It On You”, the record kicks into high gear with a sizzling set of melodic rock goodies. “Alright By Me” features a classic Tramp chorus – the kind that could have been found on White Lion’s “Mane Attraction” album. The mid-tempo song “Distance” has immediate likeability with relatable lyrics and an earnest vocal from Tramp. An excellent ballad is found in “Straight From The Look In My Eyes”, which offers up one of the best choruses on the album. “Got Me Crazy” is an affable rocker about life’s trials and tribulations. “Prettiest Girl” is a silly little love song, but it’s undeniably catchy. The rocking “Say What You Will” is another highlight with a driving beat escorting you to another terrific chorus.

Mike Tramp is back in a big way with a fresh modern sound and a plate of memorable melodies - don't miss this one!

iPOD-worthy: 2, 3, 4, 5, 6, 9, 10

Mike Tramp – Official site.

Review: My Pet Dragon “Mountains and Cities”

Pop rock
We last heard from My Pet Dragon back in April 2010 when we reviewed their excellent maxi-single, “Lover In Hiding” (see review here). Now they are back with a new full-length album entitled, “Mountains and Cities”, which happens to feature “Lover In Hiding”. The band started as a duo consisting of New York singer/songwriter Todd Michaelsen and Indian dancer/actress Reena Shah, but has since blossomed into a five piece outfit. The early buzz helped to recruit Stevo George (the original drummer for Ministry) to produce the record.

I absolutely love the vocals of Michaelsen – soft yet soaring, this guy has a beautiful pop rock tone and keen instincts for what to do with the lyrical line. Moreover, the group never seems to miss placing in plentiful harmonies and backing vocals in an attempt to raise the hairs on the back of your neck. In terms of the songwriting, “Mountains and Cities” has its peaks and valleys, but the peaks are quite an experience. Opening track “Majestic Lovers” certainly lives up to its grandeur, easing itself into your ears where the sweet sounds of Michaelsen will lift you right out of your seat. The chorus is mesmerizing with its hook and harmonies, reminding me of Keane at their best. “Moonshine” picks up the pace and proves to be a fun and memorable ride, fitting the celebratory lyrical content. “Love Anthem” contains distorted vocals in the verses and some other experimentation that just doesn’t work for me – the Radiohead-like chorus is pretty great, though. “U R” returns to the affable upbeat sound with 80s overtones I find appealing. Other highlights are squeezed onto the end of the record in the gorgeously peppy “Songbird” and engaging title track.

I’d recommend My Pet Dragon for fans of Muse, Coldplay, and early Radiohead.

iPOD-worthy: 1, 2, 5, 8, 11, 12

My Pet Dragon – Official site.

Check out the video for “Moonshine”

My Pet Dragon "Moonshine" from My Pet Dragon on Vimeo.

Review: Chickenfoot “III”

Rock
Sammy Hagar’s supergroup vehicle Chickenfoot is back with their second record called “III”. Didn’t some other band in Hagar’s history release a record of that same name? Hmmm…anyway, “III” is the follow up to the self-titled debut from 2009 (reviewed here). It is nice to see these veterans of rock out of the coop and ready to take another swing at saving rock and roll. For the uninitiated, Chickenfoot is composed of one half Van Hagar (Sammy Hagar and Michael Anthony), guitar wizard Joe Satriani, and Red Hot Chili Pepper drummer Chad Smith.

“III” is one of those records we would refer to as a “one-sider” back in the day. If these ten (actually 11) songs were split on an LP, the first half would clearly be the superior one. Seriously…the first half of “III” really brings it. The album rips into high gear with the sultry guitar power of “Last Temptation” – lush with power chords and crunch, this song is a comfort zone for Hagar’s impressive roar. The party continues with the sing-a-long “Alright Alright”, featuring great harmonies from Anthony that induce Van Hagar flashbacks. But “Different Devil” is probably my favorite track. While slower in pace, the song is beautifully written and performed – would have been a huge hit back in the 80s. “Up Next” cranks things back up and is one of those songs where the verses are actually better than the chorus.

What makes the first half of the record work so well is that the guys wrote great hooks into the songs. That really can’t be said of the second half, which is more aloof and experimental with exception of an arena ready standard in “Big Foot”. “Come Closer” is a fairly nondescript ballad that even the well done harmonies cannot save. “Three and a Half Letters” is an interesting piece, with spoken word verses and a simplistic chorus. I like the concept of the song, which features timely lyrics about the unemployment rate, but there is something incredulous about Cabo Wabo dwelling Hagar singing “I Need A Job”. “Something Going Wrong” is another tune that just didn’t live up to its promise – an acoustic-based track from these guys was a pleasant surprise, but there just isn’t a good hook to be found here.

The band called their second record “III” because they claim, with irreverent immodesty, it is too good to be a sophomore release. “III” is certainly better than the debut in my opinion, but not that much better…”II ½” would have been more appropriate. While all the guys sound in top form, the MVP is clearly Satriani, who makes guitar solos sexy again.

By the way, I got the deluxe edition which contains a cool DVD about the making of the record. It is also worth splurging for since it is printed in 3D. It comes with 3D glasses so you can view the eye popping cover art and photos of the band members – really wild!

iPOD-worthy: 1, 2, 3, 4, 8

Chickenfoot – Official site.

Check out the video for “Big Foot”

Review: meyerman “Who Do You Think You Are”

Pop rock/powerpop
The brainchild of guitarist and vocalist Theo Meyer, the meyerman raises the ante on the quality of modern powerpop to spring out of New Jersey. Along with his bandmates, Jeff Preischel on bass and vocals, Mike Eckhart on lead guitar and vocals, and Rob Barden on drums, these guys prove you don’t need facial hair, tattoos, or ironic T-shirts in order to rawk. The record is so consistently good, and band chemistry so electric, that it’s hard to believe ““Who Do You Think You Are” is a debut album. Bolstered by the production talents of Kurt Reil (Grip Weeds, The Smithereens), “Who Do You Think You Are” makes it evident that meyerman thinks they are bona fide rock stars.

Relying on the tried and true method of encasing a sweet center with crunchy power chords, meyerman cook up all kinds of ear candy. One of the themes explored on the record is music and the music business itself, underscoring the commitment these guys have to their craft – music is truly in their blood. Meyer’s vocals are modestly scratchy with a nasal delivery, making the band sound like The Thornbirds or even Enuff Z’Nuff at times.

The band sets the stage with a "ready to rock" intro that surely kicks off their live set as well. Then they dive straight into earnest pop rock with the memorable “Permission To Rock You” before coming up with the most radio-friendly serving on the record, “Get To You”. “Tour Of Japan” is sure to be on the playlist of any musician. “New Direction” is another astute satire parodying the music biz, but the song features such delectable melodies that it will find universal appeal. Meyerman doesn’t slow things down much, but they do a good job of it when they do…check out “Indecision and Inertia”. The CD continues to end strong with a trio of snappy tunes including “Metalface” (love the reference to the Quiet Riot mask), “Bitter End”, and “Elephants”.

Catchy riffs, spot on harmonies, and sugary melodies – what more could you want? “Who Do You Think You Are” is a nonstop thrill ride from start to finish. I can’t see how this one can’t make my best of 2011 list.

iPOD-worthy: 2, 3, 4, 8, 10, 11, 12, 13

meyerman – Facebook

Review: Canon Logic “Rapid Empire” [EP]

Modern rock
Canon Logic is a modern rock quintet comprised of guitarists Mark Alu and Josh Greenfield, bassist Sean Enright, drummer Zach Jordan, and frontman and principal songwriter Tim Kiely. Their new five song EP, “Rapid Empire” was released on August 30, 2011 via Engine Room Recordings. The EP follows their debut full-length effort, “FM Arcade”, from 2010, which has been hailed as “an eclectic album of powerfully catchy pop songs”.

I’m primarily hearing a lot of influence from The Killers in Canon Logic, but also hints of ELO, Blur, and The Decemberists. You can get “Howl in the Night” for free below, but the real standouts for me are “Sirens”, the title track, and “Dungeon Fallout”. Kiely has a soaring voice reminding me of the sound of Keane, but it is lifted to even greater heights with bellowing harmonies and toe-tapping rhythms throughout. Great attention to detail can be found in the arrangements of these tunes and the end result is five highly satisfying tunes that will move you lyrically and musically. Don’t miss this EP if you like any of the aforementioned bands.

Canon Logic – Facebook

Download “Howl in the Night” for FREE:

Review: Work of Art “In Progress”

AOR/Melodic Rock
Frontiers Records is on a roll finding new melodic rock releases to fill up your end of summer playlists. Work of Art is an AOR outfit from Sweden that had its early origins in 1992 when Herman Furin and Robert Sall met while attending the SÖL school of music. They didn’t acquire a lead singer until 15 years later, but Lars Sarfsund, who sounds quite a bit like Joseph Williams (Toto, Vertigo), proved worth waiting for, and all this time gave the boys the chance to really polish their craft. The debut album was called “Artwork” and earned critical acclaim in the AOR community upon its release in 2008, drawing comparisons to genre icons like Toto, Giant, and Journey.

“In Progress” is the heavily anticipated follow up to their debut, and Work Of Art proves they have plenty of hooks left up their sleeves. As before, Work of Art pulls no stops in trying to dazzle the listener with driving guitar licks and lofty keyboards. Overall, “In Progress” is a dead ringer for 80s-era Europe if you ask me, with a smattering of tasty prog rock thrown in now and then.

“The Rain” is quite the tempest – a stewing pot of sweeping melodies swirled with slick guitar riffs and in-your-face keyboards. “Nature Of The Game” keeps the high octane pace full throttle with another keeper of a chorus. The boys shake the mood up a bit with the mildly darker “Once Again”, but the moody verses lead us to the type of sugary chorus that made Giant so huge. “Never Love Again” is one of my favorites on the CD – upbeat verses propelling you to that rewarding chorus once again, augmented with affable harmonies. Punchier guitar churns “Eye Of The Storm”, but the melody sticks right in your ear the first time – and check out those slicing keyboards in the chorus! You’d think a band that could crank out five consecutive excellent pieces of melodic rock would run out of steam, but not so with Work Of Art. Other highlights include the blistering first single, “The Great Fall”, “Emelie”, and “Castaway”, which features a refreshing acoustic verse that lets Sarfsund really strut his stuff.

If you like big keyboard-rich melodic rock with outstanding vocals, Work of Art is the band for you. You’ll feel like it is 1989 all over again!

iPOD-worthy: 1, 2, 3, 4, 5, 7, 9, 11

Work of Art – more info here.

Review: Queen Electric “Queen Electric” [EP]

Pop rock/powerpop
Queen Electric is the latest project to come from singer/songwriter Scot Sax, who is widely regarded as a hero in the indie pop rock world. Sax has fronted the bands Wanderlust and Feel, each of which has left us with masterpieces of powerpop. Rounding out the Queen Electric trio is Phil D'Agostino on bass and Mike Pietrusko on drums.

Sax has a distinctive vocal tone and a knack for harmonies in the neighborhood of Jeff Lynne and ELO that are front and center on this record, so fans of his earlier work are bound to enjoy Queen Electric. The self-titled debut release is a 7 song EP that offers a little something for everybody. Opener “Gonna Let You Down” serves as a great way to kick things off. One of the more rocking tunes, “Gonna Let You Down” is designed to pick you up and it quickly became my favorite. Things slow down a little too quickly with “As You Make Me Out To Be”, but the Beatles vibe permeating “Maybe You’re Lost” is rejuvenating. “Everything I See” is a pleasant mid-tempo number driven along by a crunchy guitar riff. “Day After Night” has a bit of an island feel with its bouncy piano, jubilant horns, and “wah-oo” backing vocals. The EP closes on a softer note with the beautifully reflective piece, “Happy Where You’re At”, which is my second favorite in the batch.

Queen Electric – Get it here.